Better last minute than never, right? When I set out to review all 10 of the Best Picture nominees this week I failed to anticipate how busy I would get. Even though my eyes were bigger than my stomach, I’m not one not to finish what I started, so here is my (very, very, very, very) brief attempt to review the remaining 6 nominees before the Oscar ceremony tonight.First, in case you missed my earlier posts, check out my reviews of A Serious Man, An Education, Avatar, and The Blind Side.
And now the rest …
District 9
An impressive original sci-fi film. "District 9" can pass itself off as a summer blockbuster and a small, emotional movie examining how we treat cultures different than our own; not the typical alien invasion film. Although it abandons some of its ethical statements and documentary style as the movie progresses into a gigantic battle, it’s a fun ride from start to finish. The less I tell you about this movie the better. It never goes where you expect it to, and that’s a good thing. It won’t win Best Picture, but it will be one of the few nominees that we are all still talking about 5 years from now.
The Hurt Locker
This small movie about a three-man US bomb squad in Iraq is considered a front-runner for the big award. Will it beat “Avatar?” Maybe, if the voters felt like awarding a smaller film. Don’t be fooled though, despite a small budget “The Hurt Locker” isn’t a wuss, it’s an intense, suspenseful action film. Although set in Iraq, it does not get political. The plot is simple: survive 38 days. It’s easier than it sounds once you see the insane positions these soldiers have to put themselves in on a routine basis. As the movie points out, it takes a certain kind of person to do this, and “The Hurt Locker” does a great job exploring who that person is and what makes them tick. If anyone is going to beat James Cameron for Best Director, it will be (Cameron’s ex-wife) Kathryn Bigelow for the way she captures both the intensity of bomb diffusion and the quiet times in-between missions.
Inglorious Basterds
This movie was not what I expected. Being a Quentin Tarantino movie I was expecting lots and lots and lots of blood; “Kill Bill” set in World War II. While the movie is bookended by two fairly violent scenes, the majority of the film is blood free. The cat-and-mouse game being played between the Good Guys and the Nazis as they sit across from each other at various tables in houses, restaurants, and bars is at times almost unbearably suspenseful. I enjoyed Tarantino’s revisionist history of WWII not for the gore, but for the way it was constructed: as a series of inter-connected short films that slowly become one. This method kept me engaged in the story even during the typical Tarantino dialogue scenes that run a few minutes too long. Trying to figure out where the story was going was half the fun. This is my pick for an upset for Best Picture and Tarantino’s best chance at winning the big award to-date.
Precious
Everyone knows this movie as the one where an unspeakable amount of bad things happen to a poor teenage girl. I won’t list all of those things here; it’s worse than you even think it is. Yes, “Precious” is a good movie with strong acting and a powerful true tale of strength and perseverance, but it’s also tough to watch. This is the type of movie you will get in the mail from Netflix because you know it’s a movie you’re "supposed to watch," but you’re never in the mood to watch something this dark and it sits on the counter for 2 months until you return it unviewed. If that happens, I don’t blame you. A strong film, but I would never call this entertaining.
Up
My wife can’t even tell you the plot of this movie without starting to tear up. I’m serious. The movie with talking dogs, blimp battles, and giant birds with a love for chocolate makes her cry. That’s because the guys at Pixar know how to make a good movie. All the crazy talking dogs in the world are meaningless unless there are some strong characters with strong motivations that drive everything. It doesn’t take much to lay that ground work. All you need in “Up” is the first 10 minutes. From there the movie can go in any crazy direction it wants to just as long as it remembers to come back to the simple relationships between old man Karl and his chubby friend. This will win Best Animated Movie and possibly Best Score. “Up” becomes a little too much of a kiddie cartoon in a few scenes towards the end, and that might hurt its chances as Best Picture.
Up in the Air
Although it won’t win Best Picture, “Up in the Air” is the movie that best portrays what life in 2009 is like. George Clooney carries the picture well as a traveling businessman whose job it is to fire people. “Up in the Air” address a lot of the insecurities and concerns we all have right now with our jobs, the economy, the way technology has made making personal connections both easier and at times harder and less authentic, and what really matters in life (and one of the best soundtracks of the year). The ending is a little sloppy and some would argue ruins the whole film, but it stays true to the characters, and attempts to address how we live right now in a funny and entertaining way.
That’s all 10. Sorry I was so brief with these final reviews. Time got the best of me.
Where are you going to (or where did you) watch the Oscars (or do you even care)?
Me, I’ll be at the Road to the Red Carpet party, a charity event for the Greater Cleveland Film Commission, a great nonprofit that works hard to bring film and production work to Northeast Ohio (i.e. “Spiderman 3”).
As always, if you agree or disagree with me, let me know in the comments.
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